Marathi Syllabus

Marathi

Paper I

(Answers must be written in Marathi)

Section A
Language and Folk-lore
  • Nature and Functions of Language (with reference to Marathi) Language as a signifying system : Langue and Parole; Basic functions; Poetic Language; Standard Language and dialect; Language variations according to social parameters. Linguistic features of Marathi in thirteenth century and seventeenth century.
  • Dialects of Marathi Ahirani; Varhadi; Dangi.
  • Marathi Grammar Parts of Speech; Case-system; Prayog-vichar (Voice).
  • Nature and kinds of Folk-lore (with special reference to Marathi) Lok-Geet, Lok Katha, Lok Natya.
Section B
(History of Literature and Literary Criticism)
  • History of Marathi Literature
    • From beginning to 1818 AD, with special reference to the following : The Mahanubhava writers, the Varkari poets, the Pandit poets, the Shahirs, Bakhar Literature.
    • From 1850 to 1990, with special reference to developments in the following major forms : Poetry, Fiction (Novel and Short Story), Drama; and major literary currents and movements, Romantic, Realist, Modernist, Dalit, Gramin, Feminist.
  • Literary Criticism
    • Nature and function of Literature;
    • Evaluation of Literature;
    • Nature, Objectives and Methods of Criticism;
    • Literature, Culture and Society. 105 Government strives to have a workforce which reflects gender balance and women candidates are encouraged to apply.

PAPER II

(Answer must be written in Marathi) Textual study of prescribed literary works. The paper will require first-hand reading of the texts prescribed and will be designed to test the candidate's critical ability.

Section A
Prose
  • ‘Smritisthala’
  • Mahatma Jotiba Phule ‘‘Shetkaryacha Asud’ ‘Sarvajanik Satyadharma’
  • S.V. Ketkar ‘Brahmankanya’
  • P.K. Atre ‘Sashtang Namaskar’
  • Sharchchandra Muktibodh ‘Jana Hey Volatu Jethe’
  • Uddhav Shelke ‘Shilan’
  • Baburao Bagul ‘Jevha Mi Jaat Chorli Hoti’
  • Gouri Deshpande ‘Ekek Paan Galavaya’
  • P.I. Sonkamble ‘Athavaninche Pakshi’
Section B
Poetry
  • ‘Namadevanchi Abhangawani’ Ed: Inamdar, Relekar, Mirajkar Modern Book Depot, Pune
  • ‘Painjan’ Ed : M.N. Adwant Sahitya Prasar Kendra, Nagpur
  • ‘Damayanti-Swayamvar’ By Raghunath Pandit
  • ‘Balakvinchi Kavita’ By Balkavi
  • ‘Vishakha’ By Kusumagraj 106 Government strives to have a workforce which reflects gender balance and women candidates are encouraged to apply.
  • ‘Maridgandh’ By Vinda Karandikar
  • ‘Jahirnama’ By Narayan Surve
  • ‘Sandhyakalchya Kavita’ By Grace
  • ‘Ya Sattet Jeev Ramat Nahi’ By Namdev Dhasal

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In India, the Union Public Service Commission (UPSC) and State Public Service Commission (SPSC) (or GPSC in Gujarat) oversee the selection and appointment process for Civil Services. The civil services at the central level are divided into All India Services, such as IAS and IPS, as well as Central Civil Services Group-A and Group-B.

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The Union Public Service Commission (UPSC) conducts the Civil Services Examination every year to choose the most qualified candidates for the Central Civil Services, including IAS and IPS, which are classified as All India Services. The exam pattern for all civil services, including IAS and IPS, is the same, and candidates must pass all three stages of the exam: Prelims, Mains, and Interview to be appointed as civil servants.

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The UPSC coaching in Surat teaches not only to solve the questions but follow a structured study pattern that will help you maintain a disciplined routine.

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Once the Civil Services Examination results are announced, the role of the UPSC comes to an end. The responsibility of training IAS or IPS probationers then falls under the Department of Personnel and Training (DoPT). To fulfil this purpose, the selected candidates are invited to participate in foundation training at the Lal Bahadur Shastri National Academy of Administration (LBSNAA) located in Mussoorie. Following the foundation training, those selected for IPS receive training at the Sardar Vallabhbhai Patel National Academy of Administration (SVPNPA) in Hyderabad.

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